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Representasi Kekerasan dalam Sinema Bertema Religi: Analisis Wacana Dispositif pada Film Pesantren Impian dan Perempuan Berkalung Sorban

Qoriatul Mahfudloh

Abstract

Penelitian ini bertujuan untuk menganalisis bagaimana kekerasan dioperasikan, direpresentasi, dan didialogkan secara ideologis melalui narasi film bertema religi. Penelitian berfokus pada dua film, yakni Perempuan Berkalung Sorban dan Pesantren Impian. Kajian ini menggunakan pendekatan kualitatif dengan metode analisis wacana dispositif khas Siegfried Jäger yang dikembangkan dari pemikiran Foucauldian. Data dianalisis melalui tiga dimensi yang meliputi praktik diskursif, praktik non-diskursif, dan materialisasi wacana. Kedua film dipilih karena sama-sama menempatkan ruang praktik keagamaan sebagai konteks konflik. Tidak hanya itu, kedua film juga menempatkan perempuan sebagai pusat pengalaman kekerasan meski mekanismenya berbeda. Hasil penelitian menunjukkan bahwa kekerasan dalam kedua film tidak hanya direpresentasikan melalui tindakan fiksik, tetapi juga melalui bahasa, relasi sosial, pembatasan-pembatasan, diskriminasi gender, serta praktik-praktik kekuasaan simbolik. Dengan demikian kekerasan dalam sinema bertema religi tidak semata-mata hadir dalam bentuk tindakan fisik, tetapi juga sebagai mekanisme kekuasaan yang bekerja melalui wacana dan praktik sosial.

Keywords

film religi, kekerasan, dispositive, pesantren, gender

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DOI: 10.21043/at-tabsyir.v13i1.38481